During the Second World War in the United States, cinema was extensively used as a propaganda vehicle. All the great filmmakers were involved: Capra, Ford, Huston, and Hollywood's new master of suspense, Alfred Hitchcock. After making several films advocating American entry into the war alongside the British, in direct violation of the Neutrality Act, Hitchcock took advantage of Zanuck's departure from 20th Century Fox to launch a major new propaganda project: Lifeboat. He asked John Steinbeck to write the basic story. This great American literary figure, author of The Grapes of Wrath, whose adaptation was one of Fox's biggest successes, was himself very committed to the war effort. When Lifeboat was released, success quickly turned to controversy. What if Hitchcock's film had completely missed the mark? What if, instead of providing anti-Nazi propaganda, the film actually defended the thesis that the German people were superior to the Allies and the union of democracies?

After petty smuggler steals a priceless artifact, hundreds of mummies invade humanity, installing chaotic reign of Hatshepsut.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.

A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).

Documentary about the early British films by director Alfred Hitchcock.

A film about Alexander Trocchi. Scottish born poet, writer, translator and author of "Young Adam" and "Cain's Book". Part of the film was made at the old Arts Laboratory and includes a discussion with William Burroughs. A portrait of Alexander Trocchi, covering his history as a writer, his interest in drugs, his family life, and ‘Sigma’, the organisation he founded to bring together like-minded people.

A meditation on the passing of time, on a film that was never completed, upon Bazin’s death, on restoration and the future of ruins and on modern-day life that continues in resonance with the old stones.

Four featurettes focus on Hitch's collaborations: "Saul Bass: Title Champ" (opening credits), "Edith Head: Dressing the Master's Movies" (costumes), "Bernard Herrmann: Hitchcock's Maestro" (music) and "Alma: The Master's Muse" (Hitchcock's partnership with his wife).

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Sixty years ago, Norway’s Nazi invaders saw a perfect opportunity to further Himmler’s “Lebensborn” program, by encouraging their soldiers to have affairs with Norwegian women, often with Aryan features, and breed “racially superior children.” After the war the women children were sent to prisons and asylums.